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I feel terrible. Although he doesn't say it, I know he had been hoping the whole time that I would explain it all somehow; but I can't explain it, because I don't understand anything. These disturbing words, almost a distillation of the entire text, close the novel The Happy City by Elvira Navarro, who featured in Granta's The Best of Young Spanish-language Novelists issue in 2010.
The stories of Chi-Huei-a Chinese boy whose family has come to Spain in search of a better life-and his friend Sara-a girl strangely fascinated by a homeless man-comprise two separate yet complementary sections, presenting the reader with a detailed account of their life circumstances and the nuances of their perspectives: the genuine, as-yet untamed voices through which the book's pre-adolescent protagonists negotiate the world around them, their initial astonishment finally turning to frustration as they gaze upon their dehumanized society.
A pre-teen's first faltering steps towards sexuality, social pressures, the way polarized outlooks on life coexist at the core of the same family, those first experiences of disillusionment as we awaken into the adult world: these are some of the themes that Navarro lays out for her readers in order to reveal, with razor-sharp control, the constant duality that exists between the outward appearance of things and their inner reality.